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De Quincey, Thomas, 1785-1859

"Confessions of an English Opium-Eater"


{7} [Greek text].
{8} [Greek text]. EURIP. Orest.
{9} [Greek text].
{10} [Greek text]. The scholar will know that throughout this passage I
refer to the early scenes of the Orestes; one of the most beautiful
exhibitions of the domestic affections which even the dramas of Euripides
can furnish. To the English reader it may be necessary to say that the
situation at the opening of the drama is that of a brother attended only
by his sister during the demoniacal possession of a suffering conscience
(or, in the mythology of the play, haunted by the Furies), and in
circumstances of immediate danger from enemies, and of desertion or cold
regard from nominal friends.
{11} _Evanesced_: this way of going off the stage of life appears to
have been well known in the 17th century, but at that time to have been
considered a peculiar privilege of blood-royal, and by no means to be
allowed to druggists. For about the year 1686 a poet of rather ominous
name (and who, by-the-bye, did ample justice to his name), viz., Mr.
_Flat-man_, in speaking of the death of Charles II. expresses his
surprise that any prince should commit so absurd an act as dying,
because, says he,
"Kings should disdain to die, and only _disappear_."
They should _abscond_, that is, into the other world.


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