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Orczy, Emmasku Orczy

"The Scarlet Pimpernel"


Half-empty glasses littered the table, unfolded napkins lay
about, the chairs--turned towards one another in groups of twos and
threes--very close to one another--in the far corners of the room,
which spoke of recent whispered flirtations, over cold game-pie and
champagne; there were sets of three and four chairs, that recalled
pleasant, animated discussions over the latest scandal; there were
chairs straight up in a row that still looked starchy, critical, acid,
like antiquated dowager; there were a few isolated, single chairs,
close to the table, that spoke of gourmands intent on the most
RECHERCHE dishes, and others overturned on the floor, that spoke
volumes on the subject of my Lord Grenville's cellars.
It was a ghostlike replica, in fact, of that fashionable
gathering upstairs; a ghost that haunts every house where balls and
good suppers are given; a picture drawn with white chalk on grey
cardboard, dull and colourless, now that the bright silk dresses and
gorgeously embroidered coats were no longer there to fill in the
foreground, and now that the candles flickered sleepily in their
sockets.


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