His poem 'Rivers' seems to
us a very curious example of the _faux bon_. Not only is the idea
derivative, but the rhythmical treatment also. Here is Mr de la Mare:--
'Sweet is the music of Arabia
In my heart, when out of dreams
I still in the thin clear murk of dawn
Descry her gliding streams;
Hear her strange lutes on the green banks
Ring loud with the grief and delight
Of the dim-silked, dark-haired musicians
In the brooding silence of night.
They haunt me--her lutes and her forests;
No beauty on earth I see
But shadowed with that dream recalls
Her loveliness to me:
Still eyes look coldly upon me,
Cold voices whisper and say--
"He is crazed with the spell of far Arabia,
They have stolen his wits away."'
And here is a verse from Mr Squire:--
'For whatever stream I stand by,
And whatever river I dream of,
There is something still in the back of my mind
From very far away;
There is something I saw and see not,
A country full of rivers
That stirs in my heart and speaks to me
More sure, more dear than they.
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