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Various

"The American Architect and Building News, Vol. 27, No. 733, January 11, 1890"

We know where
we can get drawings, plans, photographs, descriptions and details of all
the best current work in North and South Germany, Italy, France and
England, and even in Russia, but to secure anything like a decent
representation of modern American architecture has hitherto been,
according to our experience, absolutely impossible. Not long ago a
discussion took place in England about architectural periodicals, and
one or two of the American journals were mentioned with commendation, on
account of the beautiful drawing and process-work in their
illustrations, as well as the value of their text. Not long afterwards,
a disparaging commentary on this discussion was made in one of the
English professional papers, to the effect that it was a great mistake
to value so highly the illustrations in the American journals, for the
reason that, although charmingly executed and fascinating, they rarely
represented architectural work of any importance. Our readers,
especially those faithful friends who have stood by us for years, will
understand that this was a sharp thrust, but it is, and not through our
fault, altogether too well deserved. While in all other countries where
architecture is practised, every important competition is regularly
illustrated from the competitive drawings themselves, which are, as a
matter of course, placed at the disposal of the professional journals;
and plans, elevations, sections and perspectives of all new buildings of
interest, and often photographs from the models for the sculptured
detail, and illustrations of the schemes for heating and ventilation are
gladly furnished by the architects, who understand perfectly that their
professional reputation depends in great part on the publicity which is
given to their work through the medium of the technical press: in this
country, on the contrary, the attitude toward technical journals of a
great many architects, and among them some who are constantly engaged
upon very important work, is one, apparently, of grave suspicion.


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