[84]
From the solemn religious representations on the one hand and these
diverting masquerades on the other, arose the two forms of tragedy and
comedy, both of which were widely popular among the American
aborigines.[85] The effete notion that they were either unimaginative or
insusceptible to humor is, to be sure, still retained by a few writers,
who are either ignorant or prejudiced; but it has been refuted so often
that I need not stop to attack it. In fact, so many tribes were of a gay
and frolicsome disposition, so much given to joking, to playing on
words, and to noticing the humorous aspect of occurrences, that they
have not unfrequently been charged by the whites best acquainted with
them, the missionaries, with levity and a frivolous temperament.
Among the many losses which American ethnology has suffered, that of the
text of the native dramas is one of the most regretable. Is is, however,
not total. Two have been published which claim to be, and I think are,
faithful renditions of the ancient texts as they were transmitted
verbally, from one to another, in pre-Columbian times.
The most celebrated of these is the drama of _Ollanta_,[86] in the
Qquichua language of Peru. No less than eight editions of this have been
published, the last and best of which is that by the meritorious
scholar, Senor Gavino Pacheco Zegarra.
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