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Rohmer, Sax, 1883-1959

"Dope"

He found
himself in the mouth of a low passage, unpaved and shored up with
rough timbers in the manner of a mine-working. Sin Sin Wa followed
with the lamp, drawing the slab down into its place behind him.
Stooping forward and bending his knees, Sir Lucien made his way along
the passage, the Chinaman following. It was of considerable length,
and terminated before a strong door bearing a massive lock. Sin Sin Wa
reached over the stooping figure of Sir Lucien and unfastened the
lock. The two emerged in a kind of dug-out. Part of it had evidently
been in existence before the ingenious Sin Sin Wa had exercised his
skill upon it, and was of solid brickwork and stone-paved; palpably a
storage vault. But it had been altered to suit the Chinaman's purpose,
and one end--that in which the passage came out--was timbered. It
contained a long counter and many shelves; also a large oil-stove and
a number of pots, pans, and queer-looking jars. On the counter stood a
ship's lantern. The shelves were laden with packages and bottles.
Behind the counter sat a venerable and perfectly bald Chinaman. The
only trace of hair upon his countenance grew on the shrunken upper lip
--mere wisps of white down. His skin was shrivelled like that of a
preserved fig, and he wore big horn-rimmed spectacles.


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