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Rohmer, Sax, 1883-1959

"Dope"


To analyze the process which thereupon took place in Rita's mind would
be a barren task, since its result was a foregone conclusion. Daring
ambition rather than any merely abstract virtue was the keynote of her
character. She had rebuffed the advances of Sir Lucien as she had
rebuffed others, primarily because her aim in life was set higher than
mere success in light comedy. This she counted but a means to a more
desirable end--a wealthy marriage. To the achievement of such an
alliance the presence of an accepted lover would be an obstacle; and
true love Rita Dresden had never known. Yet, short of this final
sacrifice which some women so lightly made, there were few scruples
which she was not prepared to discard in furtherance of her designs.
Her morality, then, was diplomatic, for the vice of ambition may
sometimes make for virtue.
Rita's vivacious beauty and perfect self-possession on the fateful
night earned her a permanent place in stageland: Rita Dresden became a
"star." She had won a long and hard-fought battle; but in avoiding one
master she had abandoned herself to another.
The triumph of her debut left her strangely exhausted. She dreaded the
coming of the second night almost as keenly as she had dreaded the
ordeal of the first.


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