Had they been
published in his time, they might have found favor in the eyes of the
poet Gray, who declared that his ideal of happiness was "to lie on a sofa
and read eternal new romances."
The style is that which lends such a charm to the author's essays,--
brilliant, epigrammatic, vigorous. Indeed, herein lies the fault of the
work, when viewed as a mere detail of historical facts. Its sparkling
rhetoric is not the safest medium of truth to the simple-minded inquirer.
A discriminating and able critic has done the author no injustice in
saying that, in attempting to give effect and vividness to his thoughts
and diction, he is often overstrained and extravagant, and that his
epigrammatic style seems better fitted for the glitter of paradox than
the sober guise of truth. The intelligent and well-informed reader of
the volume before us will find himself at times compelled to reverse the
decisions of the author, and deliver some unfortunate personage, sect, or
class from the pillory of his rhetoric and the merciless pelting of his
ridicule.
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