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Various

"The Germ Thoughts towards Nature in Poetry, Literature and Art"

Coleridge by way of comment upon these words
of Banquo,
"Good sir, why do you stand, and seem to fear
Things that do sound so fair?"
writes thus: "The general idea is all that can be required of a
poet--not a scholastic logical consistency in all the parts, so as to
meet metaphysical objectors. * * * * * * * * How strictly true to
nature it is, that Banquo, and not Macbeth himself, directs our
notice to the effects produced in Macbeth's mind, _rendered temptible
by previous dalliance with ambitious thoughts_." Here Coleridge
denies the _necessity_ of "logical consistency, so as to meet
metaphysical objectors," although he has, throughout his criticisms
upon Shakspere, endeavored, and nearly always with success, to prove
the _existence_ of that consistency; and so strongly has he felt the
want of it here, that he has, in order to satisfy himself, _assumed_
that "previous dalliance with ambitious thoughts," whose existence it
has been our object to _prove_.
But, putting Coleridge's imperfect perception of the truth out of the
question, surely nothing can be easier than to believe _that_ for the
belief in which we have so many precedents. How many beauties, lost
upon Dryden, were perceived by Johnson; How many, hidden to Johnson
and his cotemporaries, have been brought to light by Schlegel and by
Coleridge.


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